Dibawahini perbedaan, arti dan ciri-ciri smartphone kelas Low-End-Mid-End,
ï»żFiltersubwoofer / low pas filter / crossover aktif sub woofer. Pemisahan saluran frekuensi high, middle, dan low akan sangat membantu dalam . Cara setting equalizer part 3 · frekuensi untuk sub 40 hz s/d 80 hz · frekuensi untuk bass 80 hz s/d 250 hz · frekuensi untuk low mid 250 hz s/d 500 hz · frekuensi .
subbass : 0 > 100hz mid bass : 80 > 500hz mid range: 400 > 2khz upper mid: 1k > 6khz high freq: 4k > 12khz Very high freq: 10k > 20khz and above Above 10khz we are moving out of the realm of first harmonics and into the realm of second harmonics and higher. Again, it is not so much a matter of right and wrong, as your own perspective on the matter.
Woofermenghandle suara pada frekuensi 40 Hz - 500 Hz. Jadi, speaker woofer menghasilkan suara bass. Subwoofer. Jenis speaker terakhir yang dikenal masyarakat adalah subwoofer. Speaker ini adalah speaker yang mereproduksi audio paling rendah. Frekuensi yang dihandlenya berkisar antara 20 Hz - 120 Hz.
untukkeseimbangan bunyi sub mid low hight About Press Copyright Contact us Creators Advertise Developers Terms Privacy Policy & Safety How YouTube works Test new features © 2021 Google LLC
Padaumumnya, pengaturan equalizer di low mid range dapat dilakukan di frekuensi apa saja di sekitar 250 - 500 hz namun lebih sering dipusatkan disekitar frekuensi 300 dan 400 hz. Bagian terendah dari range frekuensi lower mid ( 250 hz - 350 hz ) disebut juga dengan range frekuensi upper bass yang biasa dinaikkan pada track vocal terutama vocal wanita untuk membuat suaranya terdengar lebih tebal.
. Frequency is the number of times per second that a sound wave repeats itself. In everyday conversation, youâve likely talked about frequency without realizing it; you just refer to it as pitch, which is the subjective response of human hearing to frequency. For example, a truck engine has a much lower pitch than a bicycle horn, and a dogâs growl has a much lower pitch than a birdâs chirp. Pitch is how we perceive the different frequencies of those sounds. Alright, letâs get some quick definitions out of the way. Frequency is measured in hertz Hz. The number of hertz represents the number of cycles per second. A cycle is one complete wave of sound. At its most basic level, frequency describes how often something repeats, and with sound waves, those repetitions will determine the pitch of what we hear. Did we just compare âfrequencyâ and âpitchâ twice? YES! Because itâs important! A birdâs song, for example, has a frequency between 2,000 and 8,000 Hz. Compare that to a dogâs bark, which measures at about 1,000 Hz. The difference in pitch stems from the oscillation, or the regular back and forth of the sound waves that emanate from those two sources. Sound waves can behave âirregularlyâ, but letâs stick to the basics. That sort of misbehavior is better suited for a classroom. A dog bark falls into the category known as mid frequency while a bird song depending, of course, upon the bird is often considered high frequency. Mid frequency is comprised of the sounds we perceive most often on a day to day basis and fall into the range of 200-2,000 Hz. Anything below 200 Hz is considered low frequency and anything above 2,000 Hz is high frequency sound.
Bagi para joki sound system tentunya wajib tahu atau mengenali dasar-dasar fungsi dari setiap komponen pada sound system, hal yang paling penting adalah pada frekuensi, dimana para joki wajib tau jenis frekuensi karena kalau sampai tidak tau ya pasti akan selalu bermasalah pada power maupun speaker . Setiap speaker atau power memiliki karakter dan fungsi masing-masing, untuk itu sangat penting memahami ilmu ini, saya sendiri juga masih belajar jadi mohon maaf bila ada kekeliruan ataupun kesalahan. Penyebab speaker dan power sering jebol seingkali tidak disadari karena setiap kali live sering tidak menyadari frekuensi yang tidak seharusnya ikut nimbrung dan akhirnya akan membuat speaker/power bekerja secara brutal. Contoh saja bila frequensi mid pada speaker 10" kemasukan frekuensi low maka kerja speaker akan sangat liar dan bisa membahayakan speker. Namun kasus yang paling sering terjadi adalah pada tweeter yang sering putus atau terbakar, penyebabnya adalah frekuensi mid terlalu besar, untuk itu wajib memakai equalizer,crossover atau komponen untuk memotong frekuensi yang tidak diinginkan. Frekuensi 20Hz - 60Hz Sub-bass 60Hz-200Hz Bass 200Hz-600Hz Low Mid 600Hz-3KHz Mid 3KHz-8KHz High Mid 8KHz-20KHz High Frekuensi 20Hz-60 Hz adalah sub-bass atau biasa di pakai untuk subwoofer dan jenis speaker yang cocok adalah martin, g-sub dan jenis box speaker yang memiliki ruang lebih besar, frekuensi ini biasa disebut Glerrr... Frekuensi 60Hz-200Hz Frekuensi ini biasa di pakai untuk bass alias njeduk, frekuensi ini cocok untuk jenis box speaker seperti turbo atau horn folded seperti 1850 Frekuensi low mid 200Hz-600Hz , frekuensi ini cocok untuk speaker 15" Frekuensi 600Hz-3KHz adalah karakter midlle atau biasa dipakai untuk speaker 10" 3KHz-8Khz frekuensi ini biasa dipakai untuk tweeter dengan voice coil yang sedikit besar 100-300watt 8KHz-20KHz High frekuensi yang biasanya dipakai untuk tweeter kecil atau juga super tweeter .
Audio engineers optimize songs to sound good on most playback devices. They know how best to equalize and mix instruments and voices, such that the music sounds just fine in most scenarios and to most listeners. But obviously, balancing a tune to fit everybodyâs taste is impossible, and playback devices have their limitations. However, you donât have to put up with lackluster-sounding music, or some underwhelming tones, thanks to equalizer settings. Ideally, how good the song sounds depends on your audio systemâs quality, hearing capabilities, and the type of audio. But if you know your way around equalizer EQ settings, you can bridge the gap among the three factors, and your music will shine in almost any gear. Whether youâre new to EQ or looking for the latest tricks and recommendations, this guide is all you need to become a master of sculpting your sounds. Follow along as we discuss the best EQ or best equalizer settings for different sound types. Why Equalizers Exist Equalizers have been around for a long time. For the older generation, the tiny little sliders that existed on Zeppelin record players may ring a bell, but EQ is now all-digital in modern devices such as smartphones and laptops. But why do equalizers exist? And why do you need to EQ your music if the professional engineers have already done it? Well, equalizers exist to give you the option to customize sounds for two main reasons 1. To Alter Sounds To Your Preference The human ear can hear sounds within frequencies of 20Hz to 20 kHz. But how much you can actually hear in between that frequency range varies with age, environment, and your ear physiology. Therefore, everyone hears sound differently with changing loudness preferences and expectations. Thus, the sound engineer will optimize music within the human-audible frequencies, but equalizers help boost or cut the frequencies according to your liking. A good EQ gives you broader control over basic bass or treble tuning. You can tweak sound frequencies to focus on specific instruments, vocals, or elements of a song. For instance, when listening to a podcast, you can boost the frequency of lyrics to be dominant over other frequencies. That way, you wonât miss a word as the vocals become louder. Also, you can attenuate the imperfect frequencies or tone down high frequencies that cause rapid ear fatigue. 2. To Cover Up The Limitations Of Different Playback Systems Music sounds as good as the interpretation of the sound signal by the playback system. While some audio systems sound better than others do, there is nothing perfect for all audio types. Therefore, even the best home theatre systems or In-Ear-Monitors IEMs need the help of an equalizer to smoothen the hardware quirks. In most cases, several EQ tweaks will turn okay sound quality to excellent sound for most audio systems worth their salt. However, the EQ will only boost an already good audio systemâs performance and can worsen the sound quality of a flawed playback system. So, consider the quality of your audio system, the type of audio, and the file compression type before sliding the EQ controls to their maximum. Digital Equalizer From Descriptive Audio What Is An Equalizer? An equalizer is an audio processor that allows tweaking of sound frequencies to improve overall quality or decrease/boost specific frequenciesâ dominance. They work within the human-audible frequencies of between 20 Hz to 20,000 Hz, with different equalizer types having varying sound control and accuracy. And as mentioned earlier, an equalizer helps balance frequencies to suit sound quality in different environments, listening methods, and personal preferences. Old equalizer types are mostly hardware-based, with frequency-dedicated physical knobs for audio manipulation. A good example would be the three-tone knobs present on car stereos and instrument amplifiers for bass,â mid-range,â and trebleâ control. And these early equalizers still exist in many consumer electronics and advance more with many knobs and sliders in studio recording equipment and DJ mixers. Even so, many people are more familiar with digital equalizers available on their laptops, smartphones, and music streaming services like Amazon Music. These built-in equalizers have more control sliders than the fundamental traditional equalizers but canât match those in advanced studio equipment. But the baseline is, they give you the ability to personalize your listening experience and cover the aforementioned audio quality limitations. The below is an example of a parametric EQ from Presonus. Parametric EQ From PreSonus What You Should Know About Equalizers Understanding Common EQ Terms Tweaking EQ settings is fun, but you wonât get far if you donât know what is actually happening. The numerous sliders with labels do different controls to varying elements of sounds, and there are technical terms youâll need to be familiar with. Letâs look at some of the audio terminologies youâll encounter while EQ-ing with a digital equalizer 1. Frequency Without going into the deep technical definition, frequency in âaudioâ terms refers to the number of complete cycles vibrations of a sound wave in a given time frame. The vibrations, caused by air movement as the speakerâs diaphragm moves back and forth, are what our ears turn into sound. And, frequency, measured in Hertz, indicates the number of complete vibration cycles in one second. High and Low Frequencies From UVIC Audio The more the cycles completed per second, the higher the frequency and consequently, the higher the pitch notes and vice versa. Meaning, bass or sub-bass notes exist within the low-frequency ranges, while mid-range and highs exist within higher frequencies. Technically, low-frequency sounds require more power; thus, bigger speakers are necessary, while high frequencies take less power and hence smaller speakers. 2. Frequency Spectrum/Range Frequency spectrum or range refers to the frequencies audible to the ears, and in this case, the human ear. But as earlier noted, numerous factors limit our ears to perceive the whole 20Hz â 20 kHz spectrum, and an equalizer helps us boost the frequencies we like or cut out dislikes. Every slider in an EQ controls two things the center frequency and the bandwidth. The center frequency, indicated under every slider, shows the specific frequency each slider can adjust. In comparison, the bandwidth shows the control frequency range of each slider, usually the difference between center frequencies of adjacent sliders. Bandwidth shows the quality or fineness of frequency adjustment for each slider. In other words, a shorter range narrow bandwidth has a higher quality control than a longer range broad bandwidth. For instance, the bass or treble knobs in car stereos have extensive bandwidth, thus lower quality control than digital equalizers. Below is a breakdown of the frequency ranges in digital equalizers 20 Hz-60 Hz This is the frequency range for the first slider on the left side of the EQ. Itâs super low of frequencies, and youâll need a high-quality subwoofer to hear them or a pair of high-end IEMs. Only sub-bass and kick drum sounds exist here. 60 Hz-200 Hz Also a low frequency range and is audible in most decent speakers and subwoofers. Again, the significant instruments within this low-frequency range are bass drums and other bass instruments. 200 Hz-600 Hz This frequency range is the lowest of mid-range. Most low-end musical instruments like guitars and pianos reside here, with most small speakers reproducing this frequency range as a âwoofyâ bass sound. Youâll also hear low-end vocals and mid-bass instruments here. From CUI Devices 600 Hz-3,000 Hz Here, weâre right into mid-range frequencies. Vocals and most musical instruments such as guitars and snare drums fall here, with this frequency range being the most perceived by most people. Also, you adjust the sliders here to cut or boost the ânasalâ sound in your music the voice you make when talking while holding your nose. 3,000 Hz-8,000 Hz This spectrum represents the upper mid-ranges, where most cymbals and hi-hats reside. If well adjusted, the music sounds great but can otherwise also ruin everything. Violins, upper range synths, pianos, and other upper range instruments play here. Also, most vocals have the bulk of their information within this range. 8,000 Hz and above Theoretically, this range can go as high as 20 kHz for humans, so it is truly high-end of human-audible frequencies. Sliders under this frequency range will add a âsizzlyâ effect to songs as you crank them up. See our article on Audio Frequency Spectrum Explained for more of an overview of this topic. 3. Decibels Each EQ slider alters the frequencies and the sound decibels-indicated with positive and negative values on each end of the sliders. Ideally, a tweak on either side of the sliders changes the loudness or volume level measured in decibels of that frequency within the overall sound output. Sliding to the positive side raises the volume while sliding to the negative side lowers the volume of respective frequencies. A pro tip here, equalizers are very sensitive, and itâs usually advisable you make minor adjustments slowly to avoid a sudden dramatic change to the audio. 4. Filters Filters are added controls over boosting or cutting the frequencies. They either increase, attenuate, or pass specific frequency ranges to trim down extreme highs and lows. Simply put, filters eliminate the sliderâs exaggeration on the frequencies to keep the spectrum within what you want. For instance, low-pass and high-pass filters tone down extremely low frequency or high frequency sounds. On the other hand, bandpass filters keep the sounds within a specified frequency range by attenuating anything outside that range. As helpful and convenient as it would be to have a single ultimate equalizer setting for all audio types, itâs simply impossible. The sounds in movies, games, and varying music genres are different and made with varying musical instruments. Weâre sorry to also to tell you that thereâs no one-size-fit-all EQ template for each sound type either. Instead, the best equalizer setting will depend on your personal preference and the quality of your audio hardware. That said, digital equalizers come with predefined equalizer settings, known as presets, for specific sound types and different listening environments. For instance, there are presets for Rockâ, Jazzâ, Popâ, among others, and you can set the sound stage to small, medium, large, or any other room size. And the good thing is, you can build your equalizer settings up from the presets or start from scratch when all sliders are at the flat level, 0 dB point. From FX Sound The golden rule while tuning the EQ is always to trust your ears. And making minor adjustments until you get to where you want. Also, itâs always good to first test the audio quality when the equalizer is at the âFlatâ level, where your audio system interprets the sound as originally recorded with no frequency altering. And to give your EQ-tuning journey a good start, below are the adjustments we found to better the sound of different audio types. We also have a bonus of the best equalizer settings that we found to better the sound quality of various audio types. Best Equalizer Settings for Music We know you have a favorite music genre and a preferred sound quality for it. Everyone does, anyway. And when it comes to the best equalizer settings for music, the genre significantly impacts what you can comfortably tweak. In fact, presets came about to help you know where to start for most genres, and most presets sound pretty good even without changing a thing. The key to getting the best EQ settings for any music genre is to adjust the frequencies where most of its instruments and vocals exist. And, of course, focusing more on improving how they sound to your ears. For instance, if youâre a fan of bass or dance music, boost the lows to your favorite level and lower the highs to make the bass more dominant. And remember to keep the mid-ranges intact or alter minimally to maintain clarity. On the other hand, for lovers of high-pitched music like the Classical genre, lower the bass and the mid-ranges slightly to improve clarity and use a low-pass filter to keep the highs reasonable. Below are some genre-specific equalizer settings tips Acoustic music Pump the bass, mid-ranges, and highs slightly to keep the instruments and vocals as clear as possible, without going overboard or sounding unnatural. Below is our best equalizer setting for acoustic music. Acoustics EQ From Descriptive Audio Electronic music Here, the bass is super important, and since vocals are not a primary focus, you can pump the high ranges a little bit. Check the below example, and tweak as you wish. Electronic Music EQ From Descriptive Audio Piano and classical music Most instruments for these genres are pianos, acoustic guitars, violins, and full orchestra. Here, the last thing you want to do is overdo adjustment on any frequency range, as you will undoubtedly affect the clarity. Boost all the frequencies slightly to keep the lows, mid-ranges, and highs at an almost equal volume, something close or better than our example below. Classical Music EQ From Descriptive Audio Pop music For pop lovers, the aim is to keep the vocals and mid-ranges as clear as possible. Boost the mid-ranges over low and high frequencies, and donât leave the low-mid and high-mid behind. Check the example below. Pop Music EQ From Descriptive Audio Rock music Here, focus on getting as much detail of the electric guitars and bass drums as possible by boosting the low and high frequency ranges while keeping the mid-range adjustments as low as possible. Check the below equalizer settings example for classical Rock music. Rock Music EQ From Descriptive Audio Best Equalizer Settings For Bass Bass From Descriptive Audio Though bass is not a genre in itself, many people wonder how best to use EQ settings to obtain the perfect bass settings. It is important to realise that bass can be split into sub-bass 20 Hz to 60 Hz as well as mid-bass 60 Hz to 250 Hz frequencies. Headphones or speakers tend to have a sub-bass dominant or mid-bass dominant which allows you to tailor settings to your preferences with EQ settings. If you wish for a stronger sub-bass performance, simply dial up the frequencies from 20 Hz to 60 Hz. In the same way, if you wish for mid-bass performance, then dial up the 60 Hz to 250 Hz region. Care must be applied as boosting frequencies in either of these ranges can detract from frequencies higher up and make the sound boomierâ. However, when tastefully done â EQing the bass frequencies can really be a powerful weapon which uphauls a headphone or speaker to another level. Also see our article on how to increase bass on PC. Best Equalizer Settings for Podcasts and Audiobooks To get the best vocals for your podcasts and audiobooks, focus on tuning the EQ to optimize human speech. Sometimes it can be tricky, considering people speak differently based on their gender, age, and tone deviations. From our testing, we recommend you target 125 Hz for adult male speakers, 200 Hz for adult females, and between 250 Hz to 400 Hz for children of any gender. A pro tip here, rather than directly boosting the mentioned frequencies, you should drown out the other frequencies as much as possible instead. Best Equalizer Settings for Gaming Finding the correct equalizer settings for gaming shouldnât be as hard as choosing the suitable gaming headsets. Here, you only need to consider the type of the game and the sound improvement that would better the game experience. The focus for most games would be a sound that brings the feeling of being part of the action, where youâre aware of the gameâs atmosphere and environment. Keeping your ears alert for easy enemy-spotting is paramount in fighting games, while most story-based games require an extra feel of the surrounding. We found a boost of frequencies between 2000 to 4000 Hz achieving the sound goals for most fighting games, while a gain on the low frequencies bettered story-based plays. Check our best equalizer settings recommendation for gaming below. Best Equalizer Settings for Movies You cannot separate heavy bass sound effects with movies, but you can tune the EQ to boost the vocals and music while minimizing the possibility of rattling your speakers. Even so, some people like the movie sound as it is with some tweaking to improve clarity. In that case, boost the lows and slightly cut the higher midranges and the highs. For best results, slightly increase the lows and highs until the EQ curve forms a smile shape. If the dialogue becomes unclear, consider cutting the lows and highs slightly and gradually boosting the mids until youâre satisfied with the quality. A word of caution here, keep any adjustment as slow and gradual as possible to minimize the possibility of distortion or bursting your speakers. Best Equalizer Settings for Spotify Although Spotify is one of the most popular music streaming platforms, its streams are non-HD. Spotify audio streams only become better on high-end headphones or speakers. Unfortunately, not everyone has enough bucks to spend on such gadgets. The good news is that the Spotify Equalizer can help you customize the audio output of every song on your Spotify playlist to match your preferences. However, the same equalizer settings that work for a particular music genre may change depending on the playback device youâre using to play your audio. For instance, an equalizer preset for Hip Hop that works on a studio-grade speaker may flop on a low-end Bluetooth speaker. Spotifyâs Equalizer is only available on Spotifyâs Android and iOS app but not on the desktop versions. Each app has different EQ presets for the diverse music genres and sound signatures. On the other hand, you can adjust the Equalizer sliders manually to get the output that sounds good for your ears. Letâs look at the best EQ setting presets available on each platform. Spotify EQ Presets on the Android App The Android app has five presetsâNormal, Pop, Classical, Jazz, and Rock. Normal This preset has the sliders assuming a V-shape and generates a well-rounded audio output regardless of the type of speaker or music genre. The bass, midrange, brilliance, and sub-bass frequencies are slightly higher than the other frequencies. Pop Here, the mid frequencies are more dominant than the lows and highs. In such presets, vocals stand out from the other frequencies. Classical Except for the mids, the lows and the highs are nearly equal. In classical presets, the male vocals are slightly lower than the instruments. Jazz This preset sounds the same as the V-shaped slider setup, although the brilliance is more dominant than the bass. Rock The midrange is turned up by 3 dB, whereas the brilliance is by 5 dB. In most cases, the sound is clearer since most rock performances have heavy guitar riffs. Spotify EQ Presets on the iOS App The iOS app has more presets as compared to the Android app. Bass Booster and Bass Reducer The first preset makes the bass more dominant, whereas the second one reduces the bass. Treble Booster and Treble Reducer They help you adjust the higher frequencies in your music and podcasts. Acoustic It pushes up the higher midrange frequency. However, it maintains the brilliance and lower midrange on the same level. Classical Produces an excellent sound for instrumentals. The string instruments like the guitar and percussion instruments like the tambourine stand out because the sub-bass, bass, and brilliance are dominant. Dance In this preset, the bass deepens, whereas the treble frequencies like those of stringed musical instruments and female vocals decrease. Deep Sound similar to âDance,â although the treble is significantly lowered. Electronic The emphasis is on brilliance, and the treble frequencies are more dominant than any other frequency. Flat Doesnât change any frequency from the song. Hip-Hop Prioritizes bass and sub-bass since most songs in this genre follow certain beats and rhymes. Jazz The sub-bass, brilliance, and midrange are the dominant sounds of the Jazz preset. The vocals and musical instruments are slightly clearer than the other frequencies. It makes jazz music so lovely. Latin Brilliance is pushed up to give a very bright sound. Loudness This preset boosts the sub-bass beyond the other frequencies. Lounge The midrange frequencies are more dominant than lows and treble. Itâs ideal for vocal-heavy performances meant for relaxing. Piano Makes piano notes and the other sounds on the same frequency more dominant and clearer. Pop In this preset, the lower and upper midrange is more dominant, whereas treble and bass are lowered. R&B Itâs similar to Hip-Hop, but the treble is higher. Rock Although the midrange is slightly muted, the brilliance is dominant The Manual Equalizer EQ Tuning Thereâs always the probability that you wonât get the sound with the attributes you want from the various presets. In that case, you can manually tinker with the EQ sliders until you find the frequency combination that impresses you. Whereas the Android EQ allows you to manually adjust five frequencies, the iOS app will enable you to adjust six frequencies. The different sliders on each EQ represent a specific frequency in the audio frequency spectrum. The left slider alters the low frequency bass, and the right slider changes the high frequency treble. On the other hand, the middle sliders adjust the mid frequencies of your EQ. When moving the sliders manually, the best practice is to push down the frequencies you donât want first before raising the sliders of the frequencies you want to boost. Harman Target Curve The Harman Target Curve is a gold standard in the audiophile world for what is considered an acceptable tonality for a vast proportion of people. Sean Olive who founded the concept developed a study which aimed at developing controlled listening test methods which sound engineers could use to accurately predict a headphones sound most preferred by listeners. Since many audiophiles value the tuning of the Harman Target, they may purchase a headphone based on how close its frequency response tuning is to the curve. However, for those with headphones that may not be as close to the Harman Target Curve, parametric equalizer settings can be adjusted to mimic this target frequency response. From Jazz Times Conclusion The perfect listening experience is highly subjective and changes with sound type, audio equipment, and environment. With a high-quality audio system and a relatively quiet environment, you can enjoy good sound quality without tweaking any frequencies. But in most cases, we lack one or both, prompting for using the equalizer to bridge the gap. Once you master the art of EQ tuning, your listening experience will never be the same again. However, the suitability of specific equalizer settings will change as other factors change, and youâll be making changes as frequently as you need to. All in all, we hope this guide has given you everything you need to become a master sculptor of your sound quality. Now, have fun as you find the best equalizer settings without the intimidation of technical may also be interested in Audio Frequency Spectrum ExplainedHarman Target Curve ExplainedHow To Increase Bass in Windows 10 About Post Author
Perbedaan Frekuensi Speaker Tweeter, Midrange, Woofer dan Sub-Woofer 900 600 Tim Huselda Tim Huselda 21 Januari 2019 21 Januari 2019 Speaker atau pengeras suara merupakan perangkat yang mentransmisikan sinyal elektrik menjadi output audio berbagai frekuensi yang berkisar diantara 20 Hz â Hz frekuensi yang dapat diterimaoleh telinga manusia. Dalam frekuensi selebar itu, agar speaker optimal mengeluarkan audionya maka harus dibagi menjadi beragam jenis yang tiap jenisnya hanya dapat menghandle frekuensi-frekuensi dengan jarak tertentu. Sebagai contoh, ketika Anda menonton konser musik. Ada banyak alat musik yang menghasilkan suara-suara berbeda. Suara masing-masing alat musik juga memiliki tingkat frekuensi sendiri-sendiri. Maka agar audio yang dihasilkan maksimal, maka harus ada speaker yang dibuat khusus agar mampu menghadirkan alunan suara musik yang lebih akurat sesuai dengan range frekuensi yang dikehendaki. Saat ini ada 4 jenis speaker yang dikenal masyarakat berdasarkan frekuensinya. Ada Tweeter, Midrange, Woofer dan Sub-Woofer. Berapa perbedaan frekuensi keempatnya? Tweeter Jenis speaker Tweeter dikhususkan untuk mereproduksi frekuensi audio yang lebih tinggi namun tetap menghasilkan audio seakurat mungkin. Frekuensi yang dihandle tweeter biasanya berkisar antara Hz hingga Hz. Maka dari itu, Tweeter manghandle/menghasilkan suara treeble. Midrange Dari namanya berarti jarak tengah/wajar. Artinya bahwa speaker jenis Midrange merupakan tempatnya mayoritas suara yang didengar oleh telinga manusia. Frekuensi yang dihandle Midrange berkisar antara 250 Hz sampai Hz. Biasanya Midrange secara akurat menciptakan suara alat musik gitar string, biola, ketipung tak, tom-tam, piano, harmonika, dan terutama suara vokal penyanyi. Woofer Woofer merupakan kebalikan dari Tweeter â dikhususkan untuk mereproduksi frekuensi audio yang lebih rendah namun tetap menghasilkan audio seakurat mungkin. Woofer menghandle suara pada frekuensi 40 Hz â 500 Hz. Jadi, speaker woofer menghasilkan suara bass. Subwoofer Jenis speaker terakhir yang dikenal masyarakat adalah subwoofer. Speaker ini adalah speaker yang mereproduksi audio paling rendah. Frekuensi yang dihandlenya berkisar antara 20 Hz â 120 Hz. Rancangan subwoofer dikhususkan untuk audio home theater yang memungkinkan untuk menciptakan suara dalam nan menggelegar seperti suara gemuruh ledakan, benda jatuh, gemuruh suara pesawat, ombak laut, pukulan, dan lainnya untuk membuat suasana menonton film menjadi lebih dramatis. Itulah 4 speaker yang dibedakan berdasarkan range frekuensi yang dapat dihandle atau range yang optimal dapat dihasilkan secara baik. Untuk itu, kombinasi dari berbagai jenis tersebut perlu ada dalam suatu konser musik atau kegiatan tertentu yang membutuhkan audio yang kompleks.
Beginner's GuideUnderstanding different sound signatures for your Headphones and EarphonesIf you're someone who's browsing our incredible collection of headphones and in-ear monitors on our website, one of the things that you'll see us talking a lot about to describe each of these headphones is its sound signature. The sound signature for headphones is telling you a little about how these headphones are supposed to present your music to you when you put them on and how they're tuned to be able to play all the different parts of the music together. A sound signature is perhaps the best way to describe what you should expect to listen to when you put these headphones on. In this video, I'm going to help you try and understand these different sound signatures that we have and hopefully pick the right one for you. Intro Hi guys this is Raghav here from headphone Zone. If you're someone who'sbrowsing our incredible collection of headphones and in-ear monitors on ourwebsite one of the things that you'll see us talking a lot about to describe eachof these headphones is its sound signature. The sound signature forheadphone is really telling you a little bit about how these headphones aresupposed to present your music to you when you put them on and how they'retuned to be able to play all the different parts of the music together. A soundsignature is perhaps the best way to describe what you should expect to listento when you put these headphones on. In this video I'm going to help you tryand understand these different sound signatures that we have and hopefullypick the right one for you. Understanding different sound signatures First things first, I'm sure when we all started off in our childhood we must haveplayed around with the equaliser on an old radio system or on a car audiosystem. You have the bass and the treble and you would have turned theseknobs up and down to listen to what difference they made to the way that yourmusic is playing. Perhaps the easiest thing to understand is the bass, you turnup the bass and all the low frequencies, the energy and the thump getsexaggerated, gets turned up and the bass dial is the easiest way to turn up aparty. You know that the kick drum, the bass guitar, all of these are instrumentsthat are featured in the low frequencies or the bass, it's really what makesmusic sound fun and energetic. When we're listening to music on a laptopspeaker or a mobile phone speaker you'll find that there's virtually no bassbecause these are really really tiny speakers and they're punching out a largevolume of air but for the bass to be there it's got to be a much larger speaker tobe able to give you that low frequency and therefore for a lot of us good sound is simply equivalent to a lot of bass and if you are someone who's looking tohave a party and you're looking for that kind of a sound signature when you puta headphone on there are a whole bunch of brands and headphones thatmarket themselves as an extra bass sound signature. It's really coming from aschool of thought where people think that extra bass is good sound but thatcouldn't be further from the truth. When you're listening to good soundingheadphones, a lot of bass can basically muddle out and overpower the rest ofthe frequencies. You'll find that music will no longer sound believable andauthentic or very well balanced when the bass is overpowering everything with time you'll find that a more balanced sound signature which is the kindof sound signature that all high end headphones and speakers tend to have. Itis where all the frequencies not just the bass is presented equally. You'll findthat the mid-range which is typically where your vocals instruments like thepiano and guitars, trumpets and violins are there and the highs which is thetreble frequencies where you have a lot of sharp, shrill instruments,percussions, cymbals that basically add the excitement, the drama on top ofthe music and the bass are all presented equally importantly. The instrumentsare clearly distinct and a balanced sound signature everything sounds muchmore believable much more as the artist intended. When you put theseheadphones on and hit play sometimes the sharp frequencies the higherfrequencies that we call as treble can also add a lot of excitement and drama tothe music. You would have experienced this when you take the treble knob onyour car audio system and turn it up to max. These are the sharp, shrillfrequencies that can sound really really exciting and fun but over long periodsof time it also sometimes causes fatigue. It can sound a little too shrill, a littletoo sharp. In the right amount it can sound airy, it can sound shining, it cansound exciting, so there are a whole bunch of headphones whose soundsignature can be sometimes described as bright. If they pay a lot of emphasison the treble frequencies and some people like that a lot and a lot of people willfind that very fatiguing or very tiring. It can sound like pins in your ears if you'relistening to music for long hours at a time. So what some people like to do is tojust turn down that treble just a little bit and that kind of smoothens out thetreble and headphones that tend to do that can be described as warm andsmooth. That's the kind of sound signature that you want to go for if you want alittle bit of bass but you also want that treble toned down a little bit so that itdoesn't kind of make it harsh and tiring and fatiguing to listen to. Lastly I wantto talk to you about what we call a flat sound signature. This is not verydifferent from a balanced sound signature but if you're someone who's using aheadphone in the studio for recording music or for a professional purposewhere you're editing the soundtrack of a movie or a video then you want aheadphone that's really a great tool for you to be able to make changes to yourrecording while mixing and mastering. The headphone is really your referenceand for this you want the headphone to be able to play all the frequencieswithout exaggerating or diminishing any part of the sound spectrum. Theseheadphones we typically call as flat, it's because they represent all thefrequencies perfectly neutrally. If you're someone who's looking for just the right amount of balance between the bass and the treble which you also wantto turn it up a little bit to add a little bit more punch to the low end and a littlebit more excitement to the high end, we can describe this kind of a soundsignature as a v-shaped sound signature. It's where you have just that littlemore emphasis on the lows and the highs in virtually equal proportion and themid-range can sometimes be a little recessed but this is the most exciting andfun kind of sounding sound signature that a lot of audiophile really crave and gofor. On the other hand a flat sound signature is not very different from abalanced sound signature but is really the kind of sound signature that doesn'temphasise or exaggerate any frequency throughout the entire spectrum andthis is really really important for people who are using headphones in the studiofor a professional application like editing of sound or recording or for recordingmusic and you'll find that the headphones are a tool. It's a reference for you toknow what your music should sound like and a flat sound signature is exactlythe kind of sound signature you want to go for for use for that application. Outro so with this video I think now you should be able to understand all the differentsound signatures that we talk about on our website you have an extra basssound signature you have a warm and smooth sound signature you have abalanced sound signature you have a bright sound signature and a v-shapedsound signature while also looking at a flat sound signature so that's a coupleof different and hopefully you've understood the right one for you.
Oddly, no one really knows. What any one person defines as low frequencies, or midrange frequencies, or high frequencies has as many variations as there are people to comment on it. As a tangential discussion. this came up in one of the speaker building forums, and even people intimately familiar with building speakers couldn't agree. In general, one could say any thing below 500hz is low frequency. Anything between 500hz and 2,000hz to 4000hz falls in the midrange, and anything above that is treble or high frequencies. But even in my own mind, that is not etched in stone. There are 3-way speaker systems that cross over at 800hz. If a bass speaker, meaning a woofer, is handling a frequency does that automatically make it a bass frequency? I don't know for sure. Now if I listen to test tones, what I perceive as bass-ish ends at around 200hz. I perceive based on listening to pure wave tones, that treble begins around 4,000hz. But that is more my perception than the rule. Also, speaker design alters what people commonly perceive or label as bass, midrange, and treble. With standard straight forward 3-way speakers design, it seems simple. It is similar to what I described above. The bass speaker handles the bass, the midrange handles the midrange, and the tweeter handles the highs. However, modern speakers are rarely standard 3-way speakers any more. Far more common are speakers that are not standard bass, midrange and treble, but low-bass, midbass, and highs. Or, to look at it another way, a standard 2-way speaker with an added low-bass driver. A person for whom a speaker like this is common, is going to perceive the low/mid crossover as being much lower, as is the mid/high crossover. With the introduction of subs, it become even more difficult. With subs in the system, what a person perceives as low, mid, and high, is going to be more very low bass, midbass, and high. In this case, the low/midbass crossover is extremely low. So, it is difficult to specify the ranges with exact boundaries. Sorry. Steve/bluewizard
frekuensi sub low mid high
